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Malay Music Culture of Urang Pulo: Identity and Dilemma
"Chapter I Weaving Identity in the Banyak ArchipelagornA. First Encounters and Cultural LandscapesrnB. Present InsightrnC. Musical ArtsrnD. Languages in AcehrnE. Existing ResourcesrnF. Decline in Performing ArtsrnG. Music-Analytical ApproachrnH. Existing RecordingsrnI. Classification of Musical Arts and Muslim DevotionalrnrnChapter II The Islands, the Islanders, and Their Musical ArtsrnA. GeographyrnB. PopulationrnC. Music in Daily LifernD. Natural Habitat and TourismrnrnChapter III The Islanders’ Musical HistoryrnA. Music-Culture in the Sumatran ContextrnB. Colonial-Era SourcesrnC. Origin Legend and Oral HistoryrnD. Legend of the Origin of Haloban and Kepulauan BanyakrnE. Musical History of Urang PulornrnChapter IV The Original Style of the Lullabies (Buai)rnA. Lullaby in HalobanrnB. Lullaby and Variation in Teluk NibungrnC. Singers and ListenersrnD. Comparison of Islander and West-Coast Sumatran LullabiesrnE. Lyrics and Jamu-Pulo WordsrnF. Styles and Functions of Lullaby SingingrnrnChapter V Sikambang, the Islanders’ Core Musical Arts TraditionrnA. Sikambang Legend and Sung PoetryrnB. Repertoire and Performance RulesrnC. Baralek Ceremonies in HalobanrnD. Adat or Hukum-Based CeremonyrnE. Hukum-Style Circumcision CeremonyrnF. Ceremony and Its “Incompleteness”rnG. Vocal Style in Dendang SikambangrnH. Musical Analysis of Dendang SikambangrnI. Gender Relations and Women’s Sikambang TraditionrnrnChapter VI Musical Expression in the Adok DancernA. Adok’s HistoryrnB. Adok Dance Performance in HalobanrnC. Adok Dance on a Concert StagernD. Bahasa Haloban–Bahasa Jamu LyricrnrnChapter VII Langser, Haloban’s Malay-European HybridrnA. All-Male Langser PerformancernB. Langser Dance Instructions and FormationsrnC. Possible Origins of LangserrnD. Mixed-Sex Langser PerformancernE. Langser-Related Balanse Madam DancernF. European Facets of the Langser DancernrnChapter VIII Vocal Styles of Talibun and Dikie PerformancesrnA. Talibun TraditionrnB. Talibun BardsrnC. Pitunang and SalimbuakrnD. Poetic Form and ContentrnE. Talibun Performance StylernF. Male and Female DikiernG. Female Dikie PerformancernrnChapter IX The Identity and Conservational Dilemma of the Banyak ArchipelagornA. Cultural and Artistic IdentityrnB. Decline of Musical ArtsrnC. Gandang Organology and Performance StylernD. Revitalising Arts and CulturernE. Establishing a Rumah BudayarnrnChapter X Meaning in Motion: From Ancestral Voices to Cultural FuturesrnA. Music-Cultural IdentityrnB. Identity and PlacernC. Kingship and Musical SymbolsrnD. Sustainability and Revitalisation"
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